The Japanese porcelain industry began with Korean potters brought back to Kyushu following Toyotomi Hideyoshi’s invasion of Korea in 1597.

After a protracted search and several moves of the factory, Kyokan and his son Sannojyo settled in Mikawachi, where an abundant source of pure white stone enabled the production of a unique, pure-white porcelain.

The 3rd generation ‘Imamura-Yajibei-Joen’ perfected the firing of white stone porcelain during the Kanbun Era between 1661 to 1672. He also developed unique hand forming, relief, and counter-relief techniques for shaping the clay into ever more intricate and delicate shapes. The factory and craftsmen were the exclusive property of the Hirado Daimyo, which used the porcelain they produced for trade and prestigious gifts.

Between the Edo and Meiji era, the elaborate shaping techniques and specialized firing processes characteristic of Hirado-Mikawachi porcelain were further developed and refined. 

Building on traditional skills passed down by his ancestors, Hitoshi Imamura continues this rich artistic tradition for the 14th consecutive generation. 

His work was designated an Intangible Cultural Property by Sasebo City in 2014 and an Intangible Cultural property by Nagasaki prefecture in 2021.

White and translucent, delicate yet surprisingly strong, each elegant piece of individually handcrafted porcelain is a functional and sophisticated work of art.